Avantone Mixcubes Active Cream (Pair)

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£389.00
Product Description

The AVANTONE MixCubes are active,shielded, high resolution, full-range mini-reference monitors perfect for any studio environment.

The AVANTONE MixCubes are active,shielded, high resolution, full-range mini-reference monitors perfect for any studio environment.

Their design is inspired by the 5C Sound Cubes used in virtually all-major studios for the last 25 years, the Avantone model manages to create a timeless design while still using just a single full range transducer.
In studios that primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels, there is still a need to hear what your mix will sound like on bass challenged systems such as TV and Car, this is where the Avantone MixCubes come in. Special attention is paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover really helps out. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character that they are known for.
Thicker, denser MDF board is used because of its high rigidity and inherent low-resonance characteristics, improving on previous designs Avantone also upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. a 7mm thick neoprene pad embedded into the base of the cabinet was then added to serve as a slide-resistant acoustic isolator. For creative mounting situations,an industry standard 5/8"-27 mic stand mount was recessed into the base.
Avantone designed a proprietary 5.25" die cast aluminum frame driver/cone assembly to far surpass the performance of the originals. The paper cone,specifically chosen for its musical character, is custom designed & created using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.
The amp module was designed from scratch to be a true professional-grade amplifier. It uses "overkill" concepts in component selection. No compromises were made with the amp design with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.
Rear Panel Controls And Connections

  • BALANCED INPUT: a combo XLR input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS A¼" or a 2 conductor UNBALANCED TS A¼" male plug..
  • SYSTEM GAIN: This variable control adjusts the sensitivity of the signal that appears at the input. The adjustable gain range is from -30 to +6 dB with detented gain positions allow for repeatable settings between speakers for proper matching.
  • ON/OFF Switch: This illuminated switch turns the amplifier section on and off.
  • AC INPUT: This input is only to be use with the specific AVANTONE Power Supply provided. Tighten the cable/connector securely for reliable operation. Also there is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location.
  • GROUND LIFT Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.



  • dense MDF board casing

  • 5.25" die cast aluminum frame driver/cone assembly with Y- 40 GRADE (MIL-SPEC) magnets yielding a 43oz. High Power-low distortion motor structure.

  • an industry standard 5/8"-27 mic stand mount was recessed into the base.
  • a full-range monitor without a crossover, perfect for crafting a detailed midrange



Features include..

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